Conceived in two phases, the first room, UFO 1, unfolds around a fragmented extension of the stage element. A series of multi-level platforms, composed of equipment panels, rises at the heart of the dance floor. Lighting fixtures, fans, smoke machines, and technical structures are deliberately exposed, asserting an aesthetic drawn from the vocabulary of the festival. This constructed topography generates a multiplicity of viewpoints and encourages a non-frontal reading of the space. The ensemble is overlooked by a constellation of light clusters composed of so-called traditional fixtures, densifying the volumetric perception in the room. In UFO 2, the gesture tightens, becoming radically singular and intensifying the sensation of a bunker. Two truss lines accentuate the vanishing lines and structure the perspective, while at their center a compact accumulation of screens and lighting devices takes form. Here, light no longer seeks to conceal the architecture, but instead reveals its constructive logic. A hybrid language emerges at the intersection of video, light, and structural form, where the fully legible dispositif becomes deliberately asserted.