To situate itself within the context of the former Tempelhof Airport, now transformed into a public park, the scenography draws its formal vocabulary from the spatial and technical imagination of airport architecture. The project is structured around recognisable markers, translated into large-scale scenographic objects. Each tower, conceived as an autonomous entity hosting sound, rises to nearly 20 meters and concentrates a dense assembly of technical equipment. The accumulation of light sources follows a curved geometry directly inspired by line arrays, generating a distinctive form legible from a distance. At the upper level, a ring of fixtures enables 360-degree lighting activation, complemented by smoke diffusion devices that materialise space and visually delineate the area occupied by the 75,000 people. Each tower is punctuated by a skytracer, asserting a strong vertical presence and creating an urban signal perceptible at the scale of the city. This system of technical towers resonates with a lighting device integrated into the historic building. The illumination of the windows reveals the original architectural structure, establishing a dialogue between built heritage and contemporary intervention, reactivating the site’s memory through light.